Michaela Strachan remains one of Britain’s most beloved television presenters, commanding a career spanning nearly four decades with remarkable resilience and versatility. At 58 years old, the wildlife broadcaster has cemented her legacy through groundbreaking work across multiple genres, most recently capturing public attention as the oldest contestant to reach the Dancing on Ice final in 2025. Her journey from 1980s children’s television through to present-day documentary work showcases an entertainer who refuses to accept limitations based on age or convention.
Early Career and the Rise of a Television Icon
Born on 7 April 1966 in Ewell, Surrey, Michaela Strachan studied musical theatre at the Arts Educational College in London before embarking on her professional career. Her television debut came in 1986 when she joined The Wide Awake Club, the cult Saturday morning children’s programme alongside Timmy Mallett. This early role established her as a fresh, engaging presence on British television during an era when children’s programming commanded significant viewing figures.
Throughout the late 1980s and early 1990s, Strachan built a remarkable television portfolio. She progressed from The Wide Awake Club to co-hosting The Hitman and Her with Pete Waterman, the ITV late-night music and dance show that became a cultural phenomenon. Her early work demonstrated an exceptional ability to connect with audiences regardless of demographic, whether presenting to children or young adults. This period proved instrumental in developing the communication skills that would later define her broadcasting career.
The transition into wildlife presenting came unexpectedly. Following work on OWL TV (Outdoors and Wildlife Television) in 1989, Strachan joined The Really Wild Show alongside Chris Packham and Terry Nutkins. What began as a career shift became a defining chapter of her professional life. For thirteen years, from 1993 to 2006, she became synonymous with wildlife education, presenting complex environmental concepts in an accessible, enthusiastic manner that appealed to younger audiences whilst maintaining credibility with more serious viewers.
The Wildlife Presenting Years and Conservation Advocacy
During her time on The Really Wild Show, Strachan earned widespread recognition for her genuine passion for animal conservation and welfare. Unlike some wildlife presenters who maintain clinical distance, her approach remained distinctly warm and relatable. She could enthuse over a fox with the same energy as discussing endangered species in African reserves, making wildlife conservation feel personal rather than remote or academic.
Between 1999 and 2009, Strachan became a familiar face on BBC’s Countryfile, the long-running rural affairs and farming programme. Her decade-long involvement with this flagship series cemented her status as a trusted voice in British broadcasting. During her Countryfile years, she also ventured into more specialist documentary work. Her co-presentation of Orangutan Diary and subsequent work on Elephant Diaries showcased her commitment to highlighting conservation efforts across the globe. These programmes took British audiences into the hearts of rehabilitation centres and nature reserves, demonstrating the practical challenges faced by those working in wildlife protection.
Strachan’s personal achievement within wildlife broadcasting came in 2014 when she underwent a double mastectomy and reconstructive surgery following a breast cancer diagnosis. Rather than retreat from public life, she transformed her experience into advocacy work. She became an ambassador for Breast Cancer Now, speaking openly about her journey and demonstrating remarkable resilience. Her willingness to discuss her diagnosis publicly broke significant stigma and inspired many viewers facing similar challenges.
The Watches and Long-Running BBC Success
Since 2011, Michaela Strachan has become the public face of BBC’s seasonal wildlife series collectively known as The Watches: Springwatch, Autumnwatch, and Winterwatch. Alongside Chris Packham and fellow presenters including Iolo Williams and Gillian Burke, she has made these programmes essential viewing for millions of British households. The series represents one of the BBC’s most successful wildlife strands, combining live broadcasting with a participatory approach that encourages audiences to engage with nature in their own gardens and local areas.
The Watches celebrated their 20th anniversary in 2025, marking two decades of consistent excellence in natural history broadcasting. These programmes have earned Strachan multiple BAFTA nominations and solidified her position as one of Britain’s most recognisable wildlife presenters. What distinguishes her work on these shows involves her ability to balance scientific accuracy with genuine joy and wonder. She brings humour and warmth to discussions of animal behaviour, making complex ecological concepts understandable without oversimplifying.
Winterwatch 2025 returned to BBC Two and BBC iPlayer in January, broadcasting live from Dorset’s RSPB Arne reserve. The four-night series allowed Strachan and her co-presenters to showcase winter wildlife using advanced technology including infrared cameras and long-lens filming equipment. This particular series focused on the remarkable adaptations animals employ to survive winter conditions, from fox mating behaviour to bird migration patterns.
Recent Projects and Continued Innovation
Beyond The Watches, Strachan has maintained an impressively diverse portfolio of work. In 2022, she co-presented the archaeology series Digging for Treasure: Tonight alongside Dan Walker, demonstrating her versatility extends beyond wildlife broadcasting. Her work on Extreme Conservation for BBC World News and BBC Reel highlighted environmental challenges across different continents, from the Maldives to Turkey.
In early 2025, Strachan co-presented Ice Age: A Frozen World alongside naturalist Steve Backshall. This ambitious three-part documentary series, broadcast on Channel 5, examined the geological and biological history of Ice Age Britain. The series used cutting-edge virtual production technology to recreate ancient environments, allowing viewers to understand how Ice Age megafauna shaped the landscape we inhabit today. This project represented yet another extension of her broadcasting reach, introducing her expertise to audiences following scientific history rather than contemporary wildlife observation.
Dancing on Ice and Breaking Age Barriers
Perhaps the most unexpected and significant development in Strachan’s recent career came with her participation in Dancing on Ice 2025. As a contestant on the seventeenth series of the ITV skating competition, Strachan partnered with professional ice skater Mark Hanretty. Her involvement in the show transcended entertainment value, becoming a powerful cultural moment representing age and vitality.
At nearly 60 years old, Strachan became the oldest contestant ever to reach the Dancing on Ice final. Throughout the competition, she navigated a rigorous training regime, learning complex skating techniques despite having no previous ice skating experience. Her progress through the competition captivated viewers and earned widespread media attention. In the final, choreographed by iconic skaters Torvill and Dean, Strachan and Hanretty performed a Bolero, one of the most technically demanding routines in the show’s repertoire.
Though she narrowly missed the title, losing to Coronation Street actor Sam Aston, Strachan’s journey on Dancing on Ice achieved something arguably more significant than winning. She demonstrated to viewers that age need not represent a barrier to attempting ambitious physical challenges. Her participation generated substantial conversation about ageism within entertainment and proved that women over 50 could command prime-time television audiences. In interviews following the final, she reflected that she undertook the challenge partly to inspire other women her age, stating she “did it for the older women.”
The experience also reignited her passion for performance. In interviews, Strachan acknowledged that dancing on ice had reminded her of her theatrical background and early career in musical theatre. This rekindled enthusiasm contributed to her decision to embark upon a comprehensive theatre tour beginning in April 2026.
Upcoming Projects and Future Plans
The year 2026 marks four decades of Michaela Strachan’s television career, a milestone she intends to celebrate in distinctive fashion. She will launch Not Just a Wild Life, a brand-new UK theatre tour running throughout April 2026. This live stage show promises audiences a journey through her varied career, combining storytelling, humour, nostalgia, and candid reflections. The tour commences at Bristol’s Redgrave Theatre on 13 April and continues through numerous UK venues until 30 April at Northampton’s Royal & Derngate. Tickets became available through awildevening.co.uk/michaela, with significant dates including London’s Blackheath Halls, Cheltenham Town Hall, and Exeter’s Corn Exchange.
Strachan reflected on this milestone tour, explaining that when she began presenting in the 1980s, she considered lasting ten years a remarkable achievement. Reaching forty years represents something she never anticipated. The show represents an opportunity to reflect on the changing landscape of British broadcasting whilst celebrating the personal connections she has formed with audiences across generations. She intends the show to appeal both to viewers who remember her from Saturday morning television and to younger audiences discovering her through Springwatch.
Alongside her theatrical ambitions, Strachan continues in her established broadcasting roles. She remains the co-presenter of BBC’s seasonal Watches series, with Winterwatch 2026 scheduled for early January, and maintains her involvement with various wildlife and conservation projects. In October 2025, she hosted the prestigious Animal Action Awards at BAFTA London, the ceremony celebrating the unsung animal heroes making significant conservation contributions worldwide.
Personal Life and Living Between Two Worlds
Behind her public persona exists a private life characterised by geographical complexity. Strachan has maintained a long-term relationship with Nick Chevallier, a film director and cameraman, since the early 2000s. The couple shares a son, Oliver, born in 2005, who currently studies at Loughborough University. Chevallier brings three children from a previous relationship into their family unit, and Strachan has become a grandmother to two grandchildren.
Notably, the couple chose not to marry, with Strachan characterising the decision as both practical and personal. She emphasises that at this stage of her life, marriage holds less importance than the quality of her relationships and the continued engagement with work she finds meaningful. Regarding the demands of split living, Strachan maintains that her career has always required geographical flexibility, and she has become accustomed to balancing time between the United Kingdom and South Africa, where she maintains her primary residence in Cape Town’s Hout Bay district.
This transnational existence, whilst unconventional, permits Strachan to continue her environmental and wildlife work whilst maintaining access to her family network in the UK. She speaks openly about missing family members during extended periods abroad but credits the lifestyle with providing her access to diverse environments, wildlife, and conservation opportunities unavailable within Britain alone.
Conservation Advocacy and Charitable Work
Beyond broadcasting, Strachan functions as a passionate ambassador for numerous wildlife and health-related charities. She maintains active involvement with the Animals Asia Foundation and the Borneo Orangutan Survival Foundation, both causes reflecting her extensive documentary work within these specific environments. Her commitment to animal welfare extends beyond media appearances into genuine advocacy. She has publicly campaigned against practices including the live boiling of crabs and lobsters, leveraging her media platform to encourage legislative and consumer behaviour change.
Her breast cancer diagnosis and subsequent recovery transformed her into an advocate for cancer awareness and support. Through Breast Cancer Now, she maintains involvement with awareness-raising activities whilst challenging societal attitudes surrounding illness and survival. She frequently speaks at women’s health events and corporate conferences, drawing upon her personal experience to inspire resilience and foster positive discussions about health challenges facing women at different life stages.
Broadcasting Legacy and Influence on British Television
Strachan’s career reflects significant developments within British broadcasting over forty years. She has witnessed the transition from terrestrial television’s dominance through satellite and digital expansion. She has adapted her presenting style across multiple formats, from live television to documentary production, from children’s programming to adult-oriented naturalistic drama. Few presenters have demonstrated comparable versatility across such diverse programming landscapes.
Her particular influence within wildlife broadcasting has involved democratising environmental knowledge. She presents complex ecological concepts without reducing them to oversimplification, maintaining scientific rigour whilst remaining entertaining. Her warm, inclusive presenting style has introduced millions of British viewers, particularly children and younger adults, to wildlife conservation concepts they might otherwise have encountered through academic channels rather than accessible entertainment.
The predominantly male-dominated world of natural history broadcasting has benefited from her presence. Working alongside Chris Packham on The Really Wild Show and later on the Watches series, she has contributed to normalising female voices within wildlife and environmental broadcasting. Her achievement in reaching the Dancing on Ice final at nearly 60 represents a powerful counter-narrative to prevailing cultural narratives around female ageing and visibility.
Reflections and Looking Forward
In recent interviews, particularly following her Dancing on Ice experience, Strachan has articulated a philosophy of continued growth and challenge regardless of age. She acknowledges that her physical capabilities differ from those of younger contestants yet emphasises that this fact need not preclude ambitious undertakings. Her approach reflects broader cultural shifts regarding ageing and possibility, demonstrating that reinvention and challenge remain available options in later life stages.
She expresses genuine delight in audience reception of the BBC’s Watches series, noting that approximately 85 per cent of social media feedback following live broadcasts expresses warmth and enthusiasm. She attributes this positive response partly to the show’s commitment to celebrating British wildlife rather than pursuing sensationalism or controversy. Whilst the series addresses conservation challenges and environmental concerns, its primary focus remains wonder and appreciation for natural beauty.
Looking toward her theatre tour and beyond, Strachan appears energised rather than reflective. She speaks with evident enthusiasm about sharing her career journey with live audiences, drawing connections between her varied work across different television genres. The theatrical setting permits a form of storytelling unavailable within broadcast formats, offering audiences intimate access to her reflections on broadcasting history, personal experiences, and the evolution of her professional perspective.
Frequently Asked Questions
What shows is Michaela Strachan most famous for?
Michaela Strachan is best known for her long-running wildlife presenting work, particularly The Really Wild Show (1993-2006), Countryfile (1999-2009), and her ongoing co-presentation of BBC’s Springwatch, Autumnwatch, and Winterwatch since 2011. These programmes have made her a household name across British television and earned her multiple BAFTA awards throughout her career.
How old is Michaela Strachan and where was she born?
Michaela Strachan was born on 7 April 1966, making her currently 58 years old. She was born in Ewell, Surrey, and studied musical theatre at the Arts Educational College in London before beginning her television career in 1986.
Did Michaela Strachan have a music career before becoming a television presenter?
Yes, Michaela Strachan had a brief pop music career in the 1980s before fully transitioning to television presenting. She released two singles: “H.A.P.P.Y. Radio” and “Take Good Care of My Heart.” Her early work combined singing with television hosting on The Hitman and Her alongside Pete Waterman.
How did Michaela Strachan perform on Dancing on Ice 2025?
Michaela Strachan reached the final of Dancing on Ice 2025 alongside professional partner Mark Hanretty, becoming the oldest contestant ever to reach the final. Though she did not win the competition, her participation generated significant media attention and positive audience reception, with many viewers praising her performance and expressing that she “did it for the older women” by demonstrating age need not preclude ambitious physical challenges.
What is Michaela Strachan’s theatre tour in 2026 about?
Michaela Strachan’s Not Just a Wild Life theatre tour, running throughout April 2026, celebrates four decades of her television career. The show combines storytelling, humour, nostalgia, and personal reflections, taking audiences through her work from Saturday morning children’s television through to contemporary wildlife programming and her recent Dancing on Ice experience. The tour begins at Bristol’s Redgrave Theatre and visits numerous UK venues.
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